July 04, 2005

Honey and Clover Chapter 11



Life continues as usual for the gang - Morita and Takemoto have moved in with Mayama, who lives in a one-room apartment with an outdoor shower, which brings new trials and tribulations (such as Morita wearing Mayama's underwear, for instance), but everyone's pretty much as usual - but then Shuu-chan returns, alongside Professor Tokedaiji. He brings gifts (including clothes for the girls and a rock for Morita!) and photos of all the people he saw, but Tokedaiji embarasses him with tales of how he pined for Hagu. Meanwhile, Morita shows an unexpected attitude for the sitar, and the guys realise that, now they're out of college, they're adults too, much to their horror.

The following day, Hagu asks Shuu-chan to take her shopping for new paints, and she ends up going with Morita on a semi-date - however, it's a disaster, as he doesn't speak to her for the entire time and seems to have his mind elsewhere, greatly upsetting Hagu. As she returns crying to Shuu-chan, the others muse on winter's coming as Morita stands on a bridge alone...

Much more comedy than we've had in the past couple of episodes, but another killingly poignant ending from a Honey and Clover episode there. Morita certainly seems to be a man of hidden depths, but he's obviously not really capable of a functional relationship with Hagu - he hides any real feelings he might have behind his crazy antics, and when he's stripped of those he can't really relate to her.

It's interesting that there was perhaps some evidence to suggest that Hagu really isn't that small, it's just how she appears given the way she acts - perhaps it was only for humourous effect, but when she's trying desperately not to cry at Shuu-chan's return he imagines that she's grown up like an adult before she shrinks down into the piggish crybaby (there was some seriously odd SD stuff here - Morita with duck lips like something off 2chan?). It's interesting to compare how she looks when Takemoto first saw her in the first episode, as referenced here - she's almost always depicted in some kind of SD/cutesy manner now, but there we perhaps see the real Hagumi.

You also notice that Takemoto's grown his hair long again. I guess Morita stopped forcibly cutting it, then.

Posted by BluWacky at July 4, 2005 09:14 PM | TrackBack
Comments

As for Morita and Hagu, I think it's just that he doesn't treat her the way everybody else does and since they're both very awkward, they don't really know how to behave around each other - no comfortable patterns to follow. And it didn't help that obviously neither of them had any ideas how to behave in such a situation to begin with.

I think that since she doesn't really know what to make of these feelings that she's never had before, Hagu was just too nervous to be together with Morita (it's made pretty clear in the manga)... and maybe it was the same with him.

Posted by: kuromitsu at July 4, 2005 11:47 PM

Was that a sitar?!!?!?!?!?!?! That's not a sitar!!

Posted by: wao at July 5, 2005 12:55 PM

You're right, it's not a sitar, but I couldn't work out exactly WHAT it was. It might be an erhu, but unfortunately my knowledge of oriental musical instruments is prety rubbish (blame my Europe-centric education!) so I just took a guess.

Posted by: BluWacky at July 5, 2005 03:19 PM

Google says it's an ancient Mongolian fiddle-like instrument called "morin-khuur," which is traditionally made of horse skin/bones/tail, and is always decorated with a horse-head (so that's why it's called 馬頭琴 in Japanese). Yes, I do have too much time on my hands.

Posted by: kuromitsu at July 5, 2005 04:52 PM
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